Poetry. 2021/22. Vol. 219/1, October. Vol. 219/2, November, Vol. 219/5, February, Vol. 219/6, March

Poetry, Chicago 2021/22

Poetry 2021/22, 1 - 2, 5, 6
Poetry. 2021/22. Vol. 219/1, October. Vol. 219/2, November, Vol. 219/5, February, Vol. 219/6, March
Poetry, Chicago 2021/22
Reihe: Poetry 219, 2021/22, 1, 2, 5, 6
Größe: 8°
Seitenzahl: 75 S., 85 - 615 S.
Einband: OBrosch.
Vorl. Spr. 1: Englisch
Vorl. Spr. 2: Spanisch
Vorl. Spr. Orig.: Englisch
Originalspr.: versch.
Anthologie
Lyrik und Prosa
Zeitschrift
- Heft Vol. 219, Number 1, October, 75 S.: Table of Contents SU CHO Editor’s Note KITCHEN MCKEOWN Outbreaks TERESA PHAM-CARSILLO Haruspex American Hay Fever DESTINY O. BIRDSONG A Tendency toward Violence thieves in the temple ANURADHA BHOWMIK Receipts from AOL Instant Messenger (14) Receipts from AOL Instant Messenger (15) E. J. KOH Pondfields American Han MAYA SALAMEH How to Braid an Artery ALLYSON PATY Jalousie L.A. JOHNSON If Your Hands Are Full of Fire Sunset, Somewhere ANNI LIU Portrait Of Going Back At the Miller House Jiangsu, Early Summer AUBREY KING The Confined CARLINA DUAN Consonance Blades of Grace Load More LINDSAY SLETTEN How to Corner the Market on Horse Cadavers ARTHUR SZE Architect’s Watercolor MAI DER VANG I Understand This Light to Be My Home STEVIE EDWARDS Parthenogenesis YASMINE AMELI Bedtime Story [5] JULIE CARR Morning Weekday Sky Cornea Outside One Some Words GABRIELLE CALVOCORESSI My Perimenopausal Body Cistern Disappointing How Surprising Miss you. Would like to grab that chilled tofu we love. Miss you. Would like to take a walk with you. - Heft 219, Vol. 2, November, 85- 200 S.: SU CHO Editor’s Note TRACIE MORRIS, HARRYETTE MULLEN, JO STEWART, AND YOLANDA WISHER 4 Telling Tracie Morris, Harryette Mullen, Jo Stewart, and Yolanda Wisher on the Collaborative Process KIMBERLY BLAESER, MOLLY MCGLENNEN, AND MARGARET NOODIN Meshkadoonaawaa Ikidowinan: Exchanging Words Kimberly Blaeser, Molly McGlennen, and Margaret Noodin on the Collaborative Process NILUFAR KARIMI AND ELISEO ORTIZ Abecedarian after border speeches Font based on 40 barriers initiated or substantially fortified between 2000 and 2020 Nilufar Karimi and Eliseo Ortiz on the Collaborative Process KIM SEONG EUN AND CINDY JUYOUNG OK P.S. Please Forgive Poor Grammar How Is Temperature in East? Too Busy for Little House CINDY JUYOUNG OK Cindy Juyoung Ok on the Collaborative Process MIRIAM KARRAKER Untitled Event Untitled Event Untitled Event Miriam Karraker on the Collaborative Process JAN DENNIS DESTAJO AND KABEL MISHKA LIGOT The root of our shared word for “home” is “to be consoled” Jan Dennis Destajo and Kabel Mishka Ligot on the Collaborative Process NOAM DORR AND CORI A. WINROCK Midway upon the Journey of Our Life – Somehow I'd Wandered into the Middle of a Letter Noam Dorr and Cori A. Winrock on the Collaborative Process GABRIELLE BATES AND JENNIFER S. CHENG So We Must Meet Apart Gabrielle Bates and Jennifer S. Cheng on the Collaborative Process SHE WHO HAS NO MASTER(S) Would That She Who Has No Master(s) on the Collaborative Process FROM "THE WITNESS STONES PROJECT" MARILYN NELSON A Suite for Temperance Luce Verse Epitaph The Last Slave RHONDA M. WARD A Life in a Day Sold Free Desirous of Her Liberty at This Time ANTOINETTE BRIM-BELL Arabella Makes Soap What Caesar Learned at Sea When George Met Humphrey Pompey Walks to Freedom KATE RUSHIN Meditations on Generations Crusa: The Hour before Dawn Praying for Crusa Crusa Prays for Herself Fishing for Shad ANTOINETTE BRIM-BELL, MARILYN NELSON, KATE RUSHIN, AND RHONDA M. WARD Marilyn Nelson, Rhonda M. Ward, Antoinette Brim-Bell, and Kate Rushin on the Collaborative Process FROM "CROWNS" PATRICIA SMITH Nap Unleashed Afterword Contributors Prizes - Heft Vol. 291/5, February 2022, 405 - 509 S: POEMS & CONTENT SUZI F. GARCIA Gratitude ADA LIMÓN Foaling Season HEDGIE CHOI Salvage In My Natural Habitat MUNA ABDULAHI ESL NAOMI ORTIZ Crip Ecologies: Complicate the Conversation to Reclaim Power CAMILLE T. DUNGY AND BRIAN TURNER The Fiction Writer’s Stanislavski SARAH GZEMSKI Sermon THE CYBORG JILLIAN WEISE Color Study in Blue Romantic Gesture Sujet Supposé Savoir The Origins of Love SOHAM PATEL From "The Daughter Industry" GIANNINA BRASCHI Antigone LEILA CHATTI Cootie Catcher KEITH DONNELL JR. 13th Amendment to the US Constitution Black Panther Party Ten-Point Program, Point 8 BRIAN CZYZYK Multiple Choice for Adrift Michigander One Without Water NINAMARIE OCHOA carnivore VICTORIA CHANG, PRAGEETA SHARMA, AND KHATY XIONG Grief in Three Bodies: A Conversation JEREMY MICHAEL CLARK What I See When I Stare Long Enough into Nothing TRANSLATION IN THE TWENTY-FIRST CENTURY JUAN FELIPE HERRERA I Question the Lights Exile Boulevard QUYÊN NGUY?N-HOÀNG Tuyên Ngôn Ngu?i Tho Poet Statement Ðêmêm #1: ngu'ò'i yêu dâu ngu'ò'i dang làm gì Nightghts #1: my beloved what are you doing HUSSAIN AHMED Àdán Bats Etí Òkun Beach EDVARD MUNCH Notes on "The Scream" TYTTI HEIKKINEN Olen Broileri I’m a Broiler ROSA CHÁVEZ Hacer el amor llorando Let’s make love crying Me gusta besar cicatrices I like to kiss scars Por las noches ella se convertía en animala At night, she’d turn into a beastwoman IRMA PINEDA Cadi cayuuba di ra gucana’ya’ No duelen las heridas No wound hurts Bicaa lulu’ laadu La guerra nos declaraste You declared war on us Xtiidxe’ zanaa luguialu’ Te pesará mi voz My voice will weigh on you MIKEAS SÁNCHEZ Aj’ jara’is tzi’upä’ Mi padre me dio un regalo My Father Gave Me a Gift FEI MING the soaring dust of the mortal realm XIAO XI the car is backing up, please pay attention MASAOKA SHIKI 8 haiku on falling JULIA WONG KCOMT el desierto ahuyenta este campo sagrado de insinuaciones burdas the desert dispels this hallowed ground of coarse insinuations mujer comida por gatos woman eaten by cats - Heft March 2022, Vol. 219, Number 6, 515 - 615 S.: SRIKANTH REDDY Editor’s Note HANNAH EMERSON Peripheral ASIYA WADUD Mandible Wishbone Solvent SUSAN FINLAY Casual Chandeliers TOLA SYLVAN Heavier, heavier KRYSTYNA DABROWSKA Duch lasu Spirit of the Forest RÜSTÜ ONUR Hülâsa In Sum Memnuniyet Contentment SHURI KIDO Wandering Beyond The Dry Season ROSA ALCALÁ Last Rites IMANI ELIZABETH JACKSON From "Flag" ADITI MACHADO From "now" JASMINE ELIZABETH SMITH Jonestown Death Tape: Part I MELISSA SAUMA Definitiva Definitive Reminiscencia Reminiscence CHIDOZIE GEORGE EMESOWUM I’m a Bad Engineer RENEE GLADAN Plans for Sentences #14 Fig. 14 Plans for Sentences #20 Fig. 20 Plans for Sentences #33 Fig. 33 HANNAH ENSOR AND LAURA WETHERINGTON Feel Fragments MATHIAS SVALINA Dream ARVIND KRISHNA MEHROTRA Mulla Muhammad Amin Khurasani SIMONE WHITE From "or, on being the other woman" JAY HOPLER The Canonization SARA ELKAMEL Desert Prison: A Testimony HALA ALYAN After Iraq Sweidan SARA NICHOLSON To C ISIDRO LI Nomanneslond ARIEL YELEN Poem Toward People What Is This Air Changing, This Warm Aura, These Threads of Air Vibrating Rows of People "THESE BLAZING FORMS": THE LIFE AND WORK OF MARGARET DANNER MARGARET DANNER The Painted Lady Best Loved of Africa Through the Varied Patterned Lace The Convert LIESL OLSON The Convert MARGARET DANNER The Elevator Man Adheres to Form ADRIENNE BROWN The Elevator Man Adheres to Form ED ROBERSON Margaret's Question to the Elevator as Much as to the Man REBECCA ZORACH "These blazing forms": African Art in Margaret Danner’s Poetry MARGARET DANNER The Christmas Soiree and the Missing Object of African Art The Visit of the Professor of Aesthetics The Slave and the Iron Lace These Beasts and the Benin Bronze The Small Bells of Benin

0032 2032-2021/22